Wed 19th March: Everything is Connected / Climate Revolution! (from Vivienne Westwood’s diary)

#climaterevolution #viviennewestwood #cookednews.

‘The fight against fracking is the most important battle the British people will ever fight! It is the 1st battle in the war against climate change’  (Posted on Tuesday, March 25th, 2014 by Vivienne)

Our Big Day! The Fracked Future Carnival. Climate Revolution and Friends of the Earth, Frack Off London, Ecocide, Fuel Poverty Action, Reclaim the Power, the rest were community groups (Frack free Somerset, Britain & Ireland Frack Free, Resident Action on Fylde Fracking, East Kent Against Fracking, Trillion Fund).

Scheduled for today so we can protest the conference of Conspirators, those business and government officials who are meeting to force fracking through against the public interest and before the public have been warned of the danger.

Officials who have their head in a box and are prepared to destroy the world for profit.

We know they have re-located their conference for fear of us and we know where it is.

We will stick to our original plan: meet at our Battersea studio, march over the bridge to the King’s Rd, join fellow protestors at Knightsbridge tube then move to the original location of the conference, a stone’s throw away at Jumeira Hotel. We will give our speeches outside and then go to the secret location.

Battersea. We were ready. I had given all our workmates the day off. Cindy the youngest member of Climate Revolution had done a great job mustering the troops and organizing our students to make plaquards. Others who joined us were in carnival mood, dressed as zombies and ghouls.

I hadn’t wanted a carnival. It’s a matter of life and death and I didn’t wear my warpaint. We want to attract “ordinary people” and by that we mean people who aren’t normally political. But our activist colleagues were right we needed the Carnival. We were only expecting up to 500 people and that’s how it turned out. It was a week day, also Budget Day. Did the conspirators plan that?- don’t underestimate their fear of the public. John Sauven, head of Greenpeace couldn’t come because he was dealing with press on the budget. And what about students? Simon, a student activist friend should have been organizing but he didn’t even show up: because he’s doing his exams. Come on !

We looked great. There was lots of press. I was asked to lead the procession. I bowed and put my hands together in prayer, as you would before a battle. Then off we were!

People in King’s Rd hailed us in support and Cindy shouted out, keeping us all together because of having to stop for traffic. I talked to some of my friends as we marched along. At the Jumeirah Hotel we met Rhythm of Resistance, a samba band and campaigner Nigel with his demo/disco bus. In front of the hotel was a little square where we gave our speeches and thanked the fighters in the anti-fracking camps. Vanessa Vine From Balcombe is an inspiring speaker and full of powerful information. She’s been fighting fracking for 3 years and is just back from America. The queen of it all was scientist Tisha who was responsible for much of the organization and acted as a master of ceremonies –the prettiest ghoule you ever saw but she stays anonymous so you can’t see a photo of her. Then some of us got on Nigel’s bus and went to the secret location near to Bunyon Fields near Old St.

When we got near I looked out the window and saw another demonstration walking down the main road and they looked really interesting, lots of them, then I read the plaquards and realized it was us, the others had come on the tube. (They had a good time explaining to people what we are about – life and death, yeah!) We met our mole who had been inside the conference so we are informed of the conspirator’s agenda. See their confidential presentation www.talkfracking.org.  The secret location was Armoury House on City Rd.

The samba band was really important – lots of drumming outside the gates. The press asked me,

“How do you feel that the pro-frackers have come here to escape you, protected by the army?”

You sometimes worry that you’re so small against the enormous power of the conspiracy to destroy – press, politics, business, banks – and what perhaps only seems to be the acquiescence of the general public. It is heartening to read those articles of mutual support in the fight, from journalists of the standard press, especially the Guardian and those on the Internet and of course the support of all the NGO’s and sometimes great groups of people. At our demo someone gave out flyers for the Green Party, a great group with whom I entirely agree. They start by condemning austerity. If all the world would put their financial programme into practise we could save the earth and economic collapse.

It’s so important to demonstrate for your beliefs.   We will win because we have to.

 www.talkfracking.org

#againstfrackingClimateRevolutionCookednews

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La ragazza di Ipanema compie 50 anni

A cinquant’anni continua a essere la più bella, ma non perché eletta a un concorso di bellezza. Cantata e arrangiata in ogni dove del mondo, il pezzo brasiliano di culto della bossa nova arriva ai 50 e senza particolari ombre, rimane la hit più registrata dopo Yesterday dei Beatles.

Ispirata dalle lunghe passeggiate di un’adolescente sulla spiaggia di Rio, il brano ritrae una ragazza che ogni giorno passava per Ipanema,  fermandosi al bar Veloso a comprare le sigarette alla mamma. Dai movimenti al sorriso, che hanno incantato gli uomini seduti ai tavoli, La garota de Ipanema titolo originale, è una hit che festeggia quest’anno il suo primo mezzo secolo. Dieci lustri portati benissimo. Seconda solo ai Beatles con Yesterday, è la canzone più registrata, interpretata da tutti i grandi artisti della musica, tradotta in molte lingue e musa incantatrice di storie d’amore, serate danzanti, momenti di intimità e di relax.

Chi è la ragazza di Ipanema? Heloisa Pinheiro, la garota de Ipanema, nel 1962 aveva circa 15 anni e tornando da scuola, ogni giorno, costeggiando la bella spiaggia di Ipanema a Rio de Janeiro, passava davanti al tavolino di due dei più assidui frequentatori del Veloso di Rua Montenegro: Vinicius de Moraes e Antonio Carlos Jobim, rispettivamente poeta-paroliere e compositore di alcuni dei successi brasiliani degli anni Sessanta più ascoltati.

La leggenda racconta che furono proprio gli occhi chiari di Heloisa, la sua carnagione e i capelli scuri a dare il tocco magico alla canzone brasiliana più nota al mondo. Non a caso, il titolo originale della canzone era proprio ‘Menina que passa’. Un pezzo di bossa nova, base samba, perfetta se accompagnata da una chitarra, ma anche dalle note di un piano.

Il volto che portò il Grammy. Registrata dai due di Rio nell’estate del 1962, esattamente 50 anni fa, già nei primi mesi la canzone fu riproposta da decine di artisti brasiliani e giunse al suo successo mondiale l’anno seguente, quando a marzo fu pubblicata la versione americana, The girl of Ipanema, dal sassofonista Stan Getz e dall’artista Joao Gilberto. Grazie a un’intuizione, quella di far cantare la versione inglese alla moglie di Gilberto, la brasiliana Astrud, arrivò il successo planetario e la signora divenne, per tutto il mondo, il volto della ragazza di Ipanema che faceva sognare chi la incrociava per strada. La loro versione rimase in classifica per 96 settimane di fila nel Billboard e vinse, nel 1965, il Grammy Award.

 Apprezzata dai brasiliani per le sue note ambient e ritmate, la canzone ha contribuito a cambiare il nome della spiaggia di Copacabana come simbolo dei lidi brasiliani preferiti dai turisti, in Ipanema: anche le sue note sono state riarrangiate e le parole ricantate da tutti i grandi. Intramontabili certe versioni come quella cantata da Elis Regina al festival di Montreux nel 1978, o quella di Ella Fitzgerald, o ancora il pezzo registrato da Frank Sinatra insieme con lo stesso Jobim, contenuto in un album che spopolò grazie alla doppia voce e al doppio testo, inglese per Frank Sinatra e portoghese per la voce di Antonio Carlos. Da lì in avanti, anche in tempi recenti, sono moltissime le versioni diventate successi: da quella di Amy Winehouse a quella di Cher, dai Pizzicato Five alla versione strumentale di Pat Metheny, ogni artista ha provato a reinterpretare l’atmosfera brasiliana del pezzo.

La prima a registrarne una versione in lingua italiana fu Caterina Valente, grande voce del jazz abilissima nel canto in molte lingue diverse. Ma il primo a farne un’incisione sul nostro territorio è stato Bruno Martino (1966), che tutti ricordano intonare la strofa iniziale tradotta ‘Torneresti sui tuoi passi, ragazza d’Ipanema che passi, se ti voltassi ad ogni singolo ah‘. Melodica e romantica, fu poi resa famosa anche dalle interpretazioni di Mina alla fine degli anni Sessanta e più di recente, da una più dissacrante e rockettara dell’ex Litfiba Piero Pelù.


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