Will Wave Of Action Become Nightmare For The 1%?

 

#RESIST! #ACTIVISM #OCCUPY #WORLDWIDE #WAVEOFACTION #Cookednews

 

Note: We don’t view te #WaveOfAction as a potential last gasp of Occupy.  It is one more series of protests and resistance efforts that will continue no matter how large the #WaveOfAction protests are.  It is up to the people how large the protests are, how creative and how effective.  This is part of the process of building a mass movement — a movement that is much more than the occupy encampments were. 

What will prove to be either the last gasp of the Occupy Movement, or its Renaissance as a social powerhouse, will lie in the success and its embrace of a highly-publicized #WaveOfAction which launches a major 90-day program of protest and resistance on April 4.

The Wave begins, symbolically, on the date of the assassination of Martin Luther King and ends, symbolically, on July the 4th.  It will run from the date of the death of a dream that will not die to the date of the birth of a vision which has yet to be fulfilled.

So, what is the purpose of this ambitious campaign, who is behind it, and what can we expect of it – and of ourselves?  The purpose is stated on its website and is quite clear.

We are a Movement of Movements

“The Worldwide #WaveOfAction begins April 4th and runs through July 4th.

During this three-month cycle, people throughout the world will be protesting corruption, rallying around solutions and taking part in alternative systems. The new paradigm will be on full display.

Studies have proven that it only takes 3.5% of the population taking nonviolent action to create meaningful and positive change. The #WaveOfAction gives all of us who want change a powerful opportunity to #EvolveSociety.

Change-makers all over the world will be engaged at the same time in an unprecedented wave of transformation.”

OK, that sounds acceptable (to most of the 99%, and certainly not the 1%).  Now, who is behind this?

I confess that I can’t say that I have figured that out.  It appears to be nobody.  Or, perhaps everybody.  Or, a coterie of patriots/anarchists/misfits who – such as when Zuccotti Park came to be occupied – are taking it upon themselves to rekindle that Occupy fire.

Word has it that #OWS #Anon and its allies put out a call to action for a World Wide Wave of creative community coordination and collaboration this winter.  There were two organizing conference calls prior to April 4.  One on March 25, and the other on April 2.  (David Degrawis one of the facilitators)

For an organizing call, it attracted verifiable luminaries:  Barbara Max HubbardMarianne WilliamsonRussell BrandKevin ZeesePatricia EllsbergDylan RattiganJohn Perry Barlow, and Lee Camp.  If “you are known by the company you keep,” #WaveOfAction is keeping good company.

Whoever started it, it can be said that occupiers around the world are standing with it, and many called in to declare that support and to announce events they were planning locally.

But, they are coming up against a very familiar foe – themselves.

The Naysayers…and worse

Anyone familiar with Occupy knows that it is rife with the usual suspects:  gripers, snipers and full-blown trolls whose only purpose seems to be that of making sure that “solidarity” will never be had.  “How dare (someone/something) do/be (provide the offense).”  Everything is suspect, and anyone taking a lead roll is to be suspected.

Whether or not this will affect the success of #WaveOfAction will not be known for some time, but the offenders are being put on notice.  Activist and creater of Occu-Evolve,Sumumba Sobukwe, had this to say:

“The Irony of those complaining about this ‘Wave of Action’ is that it will only be a failure if they continue to find fault with EVERYTHING that ‘reeks’ of coordination that might make people move beyond facebook, twitter and other social media ‘activism’ as well as their own silos of causes and interests to actually go out and organize with others in the streets.”

He continues, “When did an ‘occupy’ action ever draw more than a few hundred people that didn’t have unions, grassroots or other groups involved? Who are we fooling here? Occupy has ALWAYS been made up of different groups and individuals, and that’s where the concept of the ’99%’ came closest to being real or at least unifying in theory.”

So, in addition to proving Pogo’s theorem, “We have met the enemy, and they are us,” what other odds militate against the campaign having any major effect?  Let me count the ways:

1. A largely indifferent press.  Activists deride the “MainStream Media” for not paying attention to even the largest of its protests and greatest of its triumphs.  Occupy is hardly alone.  Last year’s March Against Monsanto which attracted a half-million marchers or more worldwide did not find its way into print or broadcast in any meaningful way. (P.S.  Occupy folk helped make that march happen, as well).

  1. A police force dedicated to crushing public dissent.  Naaaah, that can’t be happening here in America, right?  That’s what you find in Russia, or Egypt, or China.  Thank God that “to serve and protect” applies to citizens in the street and peaceful protestors, yes?  Here’s a retired cop who has a word or two on that, Captain Ray Harris. Oh, and not to forget Cecily McMillan’s experience with the Boys in Blue which finds her at risk of jail time for resisting their abuse.
  2. Elected officials.  One would think that people who are elected to represent us willactually represent us, and that they will be at the front of any parade or protest demanding justice and protecting civil liberties.  Think again.  If you ain’t got the money (and few occupiers/activists do), they ain’t got the time. And, if their party can’t co-opt your movement for their betterment, they’ll be the first to applaud authorities who arrest you. Hell, they will demand that force be used.
  3. The 1%.  You can be certain that the #WaveOfAction will be countered by a #FloodOfMoney spent to discredit its work and mission.  Did I mention Fox?  CNN?  Stay tuned and see how money talks.

So, I leave it to you, the reader.  Will this be a “Wave,” or a “Wave Goodbye” on the part of Occupy and its brother and sister causes?  Will you listen to the detractors within and the enemies without and surrender to the impossible forces against you?

Or, will you take comfort in your own, amazing numbers and brilliance and continue to fight the good fight as so many have before you in America’s history. You are the dream that Martin referred to, and the nightmare that the 1% are waking up to.

When you realize that, the others in the 3.5% of the population will as well.  Won’t that be exciting.

     

Venice Drum Circle, a public gathering in a public space

‪#‎WaveOfAction‬ ‪#‎WorldWideWaveLA‬ ‪#‎www‬ #Cookednews

No one but the most addled hippie really likes a drum circle, but only the war-like LAPD could possibly see one as any kind of threat. Hundreds of people assemble every Sunday by the Venice boardwalk for the Venice Drum Circle, a public gathering in a public space that rarely if ever results in any reports of bad behavior, except when the LAPD shows up to cause trouble for no real reason. (Even an LAPD officer describes the drum circle as a “peaceful occurrence.”) But for the past three weeks the LAPD has attempted to break up the peaceful gatherings once the sun has set, because them’s the rules, and the drummers have refused, because they’ve got a good groove going or whatever. So the LAPD has gone into full riot response. On a drum circle.

Last night, between 400 and 500 people were again causing no trouble at all when the LAPD came in to shut them down; when most people stayed, “an airship and multiple LAPD units executed a skirmish line [to] the push the crowd north,” according to Venice 311. A few people threw things, so they “called for a specialized unit from the Metro division which includes SWAT and mounted units for assistance,” which they had to cancel eventually because the crowd was like “whatever” after just 25 minutes. Everyone ended up dispersing pretty easily; one person who rushed the police line and another who “refused to move,” according to KTLA, were arrested.

One Venetian tweeted last night“more cops tonight than I’ve seen since the riots,” but apparently no measure is too out of proportion to the horrible scourge of hippies grooving to some jams on our beaches. This recent crackdown probably doesn’t have anything to do with the changing (richer, techier) face of Venice, does it.
· Venice Drum Circle Turns Violent; 2 Arrested . Solidarity with the Venice Drum Circle 1000 Ocean Front Walk ‪#‎WaveOfAction‬

LIVE NOW [4pm Sunday]: Solidarity with the Venice Drum Circle
1000 Ocean Front Walk ‪#‎WaveOfAction‬
Join us to bear witness to the evening dispersal orders issued to the Sunday Venice Beach drum circle. It is our human right to have 24/7 access to life sustaining waterways such as the ocean and drum alongside waves without being forced out by riot police.

‪#‎WorldWideWaveLA‬ ‪#‎www‬

Potential livestream coverage:
http://www.ustream.tv/channel/pmbeers
http://www.ustream.tv/channel/usvmj

[more info]
The LAPD is in Riot Mode Over “Peaceful” Venice Drum Circle –http://la.curbed.com/archives/2014/03/the_lapd_is_in_riot_mode_over_peaceful_venice_drum_circle.php

THE LAPD IS ARRESTING VENICE HIPPIES FOR HAVING DRUM CIRCLES –http://www.vice.com/read/venice-beach-is-safe-for-now-thanks-to-eagle-soaring-chief

Photo via Wave Of Action Los Angeles and Occupy Los Angeles OWS

www.venicebeachdrumcircle.com

Who is an American Cool. From Madonna to Shakur. The meaning of ‘J’

#AmericanCool #Cookednews

Defining who’s ‘cool’ is a slippery enterprise, but that’s never stopped anyone from trying. Bogart? Hendrix? Anita O’Day? Of course. Madonna? Hmmm.

‘Bogart was cool: no one used the word then, but it’s the term everyone reaches for now,’ writes the literary scholar Joel Dinerstein in American Cool, which he co-authored with photographic scholar and curator Frank H. Goodyear

Besides Bogie, the reach of those who make cut in this sleek book of photographs interspersed with essays includes Johnny Depp, civil rights protestors, Miles Davis as he appeared on the cover of Ebony, Elvis, Robert Mitchum, Jack Kerouac, Amiri Baraka, Bob Dylan, Anita O’Day, Madonna, Tupac Shakur, Susan Sontag, Selena, and sundry others.

For years, cool fell into the gray zone of semantics like that on which a Supreme Court justice meditated in consideration of pornography: he admitted that he could not define it, but he knew it when he saw it.

We should hope that the Supremes will attend the American Cool exhibition at the National Portrait Gallery of the Smithsonian Institution in Washington, D.C. (American Cool is the catalog for that exhibition.) This show is an impressive exercise in semantics and a grand slice of national history; the photographs are thoughtfully orchestrated, the ideas behind the concept argued with intelligence and flash.

We can picture the quickening pulse of political and news celebrities in the pagan city on the Potomac, milling about the gallery, wondering why the photographs show none of them. (The Obamas are only mentioned in the text.) But in a city where politics has degenerated into a tawdry suburb of celebrity, the edgy outsider nature of cool doesn’t sync with democracy as reduced to a muddy floor show on the nightly news.

‘Cool figures are the successful rebels of American culture,’ writes Dinerstein, the James H. Clark Endowed Chair in American Civilization at Tulane University. ‘To be cool is to have an original aesthetic approach or artistic vision—as an actor, musician, athlete, writer, activist or designer—that either becomes a permanent legacy or stands as a singular achievement.’

That explains Brando, Duke Ellington, Greta Garbo, Muhammad Ali and of course James Dean. Obama seems to have edged into the text by virtue of being dubbed ‘Mr. Cool’ in a magazine article. The president’s charisma lands him, at least in passing prose, on the same page with an image of Walt Whitman and the front page of Leaves of Grass.

Men far outnumber women in American Cool. ‘It is rare to find an article, website, or blog post declaring anyone ‘Ms. Cool,’” writes Dinerstein, “despite the plethora of cool women in this book, from Georgia O’Keefe, Bessie Smith, and Dorothy Parker to Patti Smith, Chrissie Hynde, and Missy Elliot.’

Walt Whitman ‘first carved out a space for cool by valuing personal experience and bearing over education and experience.’

The gender tilt lies in “the presumed association between cool and American masculinity,” he notes, and “the persistence of a double standard where independent, sexually confident women are concerned.”

Double standards, of course, are made to be exposed.

American Cool does have curious omissions. Bill Clinton, who played saxophone with sunglasses in 1992 while campaigning on the talk show hosted by Arsenio Hall (who is absolutely cool) and went on to an impeachment drama for his sexual rebellion, did not make the cut. The book does not explain Clinton’s absence, which seems, like, un-cool.

John Wayne had a macho, bravura image that sizzled hot, but he’s in this parade as ‘the stoic tough guy’ who once said, ‘Mine is a rebellion against the monotony of life.’ Cool enough.

But the scandal of this book and exhibition is that Marilyn Monroe is nowhere depicted. One of the sexiest movie stars of all time, the woman who married Joe DiMaggio and Arthur Miller, is not cool? Says who? And Audrey Hepburn is? And Susan Sarandon, too. No offense to them, but stiff-arming Marilyn Monroe is grounds for—well, not a congressional investigation, we don’t want to get them near this. Let’s settle on a televised debate at NEH.

Hemingway is shown on p. 89, pensive with rifle at a pheasant shoot in Idaho. ‘He wrote in a terse, clipped style that featured stripped-down dialogue and characters unanchored from society. While he portrayed man as essentially alone, he admired ‘grace under pressure,’ a phrase often considered synonymous withcool,’ writes Frank H. Goodyear III, co-director of the Bowdoin College Museum of Art, who shows a wise hand and keen eye in arrangement of the images in book and exhibit.

Cool as persona and trait arose in the movies and music of the early and middle decades of the last century; it had a strong African-American stamp. Jazz was outsider music that moved mainstream, and then with bebop moved back on the edges. Musicians such as Charlie Parker, Count Basie, and Lester Young exuded the aura of outsider-as-insider. Zora Neale Hurston occupies a page in a photograph as threshold-breaker, justly so. But Wynton Marsalis is nowhere in American Cool. Maybe he’s too inside to go back outside. He’s still a study in cool.

As sports photographers gave an icon like Ali his heft in the popular culture, the oceanic coverage of rock and roll put stars like Jimi Hendrix on the cover ofRolling Stone, which is always cool.

But there are no pictures here of Scarlett Johansson or Halle Berry. The editors chose ‘a certain triangulation of factors aligned in mysterious balance’ on the selection process, which includes a ten-year period of probation or candidacy consideration for a potential Coolite, a time in which status can crash in scandal or somnolently diminish.

 ‘In the next generation it is likely that women will outnumber men for lasting iconic effect and innovative artistic impact,’ Dinerstein writes. Those who make the potential list include Esperanza Spalding, Janelle Monáe, Pink, Jennifer Lawrence, Tina Fey, Ani DiFranco, Connie Britton—and (drum roll) Michelle Obama and Rachel Maddow. The First Lady will presumably achieve a plateau of cool once she is out of the White House, no longer bound by media expectations of decorum, and free to speak her piece. Michelle and Barack may be the ultimate cool in politics.

But Rachel Maddow is already cool, many times over, by treating political hypocrisy as a form of farce with intellectual agility you don’t find among other anchorpersons. If anyone in the media stands in the front line of cool, it’s Rachel.

Jon Stewart is in American Cool because he is Jon Stewart. But there is no presence for Steven Colbert. Another mystery. Was it something he said?

‘Of the actresses who emerged in the early 1990s with the moxie to walk the line of regular gal and badness,’ continues Dinerstein, ‘there was a cohort including Winona Ryder, Jennifer Lopez, Cameron Diaz, Lucy Liu, Drew Barrymore, Halle Berry, and Uma Thurman. Each of these actresses let the industry shape their careers or cuddled up with the media, became cover girls, or self-destructed.’

There you have it. Media-cuddling can be a kiss-of-anomie for women on the cusp of cool. Men who are cool, or wanna be, can’t be seen as cuddling with the media though they need all the media they can get to stay in the magazines. Goodyear writes learnedly of the role magazines played in capturing those who became cool. Influential photographers who covered jazz, sports, rock, and the movie world were pivotal to this cultural process. Magazine exposure makes a difference, even today as ‘the paparazzi continue to provide largely unscripted images’ that put the cool person in a moment of drama, off-script, in the life s/he enacts.

‘Those who convey this magnetic attraction often feel as though they are living in two bodies—one that belongs to the world and another that is their own and often hides in plain sight,’ writes Goodyear. His analysis also applies to any number of garden-variety celebrities, even Chris Christie, at least the part about two bodies, or let us say “selves,” one hiding in plain sight.

With smaller photographs arranged through the text, more than half of the book is given over to full or half-page pictures of the anointed cool, with short biographical commentary. You might call this the Hot 100 but Top 100 is probably more appropriate. The range of choices is intriguing.

Number 1 is Walt Whitman, ‘who first carved out a space for cool by valuing personal experience and bearing over education and experience.’ The author of the classic Leaves of Grass was also ‘a proto-hippie and sensualist who celebrated the dignity of work, a gay man who wrote lyrically of the male body.’ Cool then, cool now, cool forever, Mighty Walt.

Fredrick Douglass the great abolitionist, heavyweight boxer Jack Johnson, Georgia O’Keefe, H.L. Mencken, Michael Jordan, Joan Didion, Bill Murray, Angela Davis, Hunter Thompson, Johnny Cash, and Billie Holliday, among others in this sweet romp all stood or stand for life, liberty, and the pursuit of rebellion in American Cool.

Jason Berry’s books include a novelLast of the Red Hot Poppas.

 #cookednews #Cookednews 

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Fabri Fibra: ‘Niente di personale’

#dissing #fibra #vacca #cookednews

Disrespecting, beef, dissing. Non rispettare. E’ la risposta di Fabri Fibra al rastaman Vacca, dopo un alterco niente male. Proprio come al Rolling Stone

Fabri Fibra. Niente Di Personale. Prod. Shablo.
Testo: http://fabrifibra.it/nientedipersonale

Oh mi fai… Mi fai la metrica come il pezzo suo…
Tu non hai le rime, lo stile, hai testi flosci /
vali tanto quanto un giornaletto di gossip /
questa qui è la prova che non sei un vero artista /
in Italia, in Giamaica, sei solo un turista /
resti intrappolato in mezzo a questi due mondi /
in entrambi i casi stai a secco, non sfondi /
c’è chi ti difende anche se poi zitto zitto /
sogna di rappare sul palco col sottoscritto /
scappi dall’Italia per problemi col fisco /
pure Baby K ti ha scartato dal suo disco /
tutti che commentano ogni singola parola /
litigo con mio fratello, ok, e allora? /
e questa tua metrica che uso mi fa schifo /
quindi basta /
Scarica gratis e vaffanculo, scarica gratis e vaffanculo /
Fabri Fibra! Ha!
Io non capisco perché dici tante cazzate /
se mi passi il microfono ti gonfio di mazzate /
lo so che avevi un sogno, ora puoi dirgli addio /
Milano è cambiata da quando sono arrivato io /
mi ricordo, sembra ieri /
primo posto in classifica, i soldi quelli veri /
volevano conoscermi in tutti i quartieri /
e tu muto, mentre scattavo foto /
sentivo il tuo sguardo addosso /
ogni cazzo di minuto /
hai detto “faccio il disco” /
io ho pensato “aiuto!” /
nessuno che si è accorto tipo al lupo al lupo /
non ce l’hai fatta, non hai venduto /
mi rispondi perché sai che è vero quello che ho scritto su Zombie /
sfigato, cosa ti sei inventato? /
Fritz ha fatto il disco ma tu non sei invitato /
Del ha fatto il disco ma tu non sei invitato /
siamo un altro Stato /
altro che fan all’asilo /
fatti i cazzi tuoi, tu sei Craxi in esilio /
molla il rap e resta in mezzo ai pesci /
coi soldi in Italia a fine mese non ci arrivi /
tu non ci riesci nemmeno di striscio /
potremmo organizzarti un Vacca Extreme Makeover Home Edition /
Sposta quel bus! Sposta quel bus! /
Sposta quel bus! Sposta quel bus! /
In arrivo l’album, Squallor /
Il nuovo album di Fabri Fibra /
dalla scena per la scena /
Universal, Tempi Duri! /
Basta, basta ‘sta roba, mettimi una base mia…
ha! Prima di iniziare hai qualcosa da dirmi?
Vaffanculo! Haaa! Ha!
Chi c’è nel disco di Gue’ ? /
Bravo Ragazzo /
c’è Vacca!? No! C’è Fibra testa di cazzo! /
rime malate, il flow ti fotte, entra ed esce /
ti resta poco come chi c’ha l’AIDS /
rapper falliti vi vedo, state ascoltando /
sono sempre nei vostri incubi più profondi /
senza casa, senza soldi /
non vorrei vivere la vostra vita nemmeno per due secondi /
solo chi è stupido non ha paura /
la gente prima fa il mio nome e poi si autocensura /
le regole fondamentali, uno vendere i dischi /
due suonare in giro e tre mandare fattura /
chi non ce l’ha fatta con il rap? Fuori i nomi /
il tuo sicuramente è il primo della lista /
disperati mc, disperati i produttori /
forse Internet vi ha offuscato la vista /
non ti ricordi? Ho detto, se vedi che sto zitto e non chiamo /
è perché sto contando i soldi /
rapper invidiosi di me ma non lo dite /
non rifate ciò che ho fatto io nemmeno in quattro vite /
Gangsta! Gangsta! Sempre collegato /
altro che gangsta, sei un hacker /
a casa ho quattro cessi, sai dove abito /
se ti presenti ficco la tua faccia nel water /
mando questa gente in coma cerebrale /
dalle Marche al nord il sapore è acre /
tu sulla strumentale cadi e sbatti la testa /
il flow è macabro tipo bum! Shumacher /
Manda un’altra base…
Entra nell’amplesso /
succhiami ‘sto testo /
Vacca dice “vienimi in bocca” /
rispondo “è presto” /
la gente vuole il sangue, eccolo /
viene da Vacca, perché? /
Perché c’ha il mestruo /
in famiglia/
non mi rispettavano, ora vivo in una villa /
e tu stacca la lingua dal culo di Emis Killa /
non vendi più un disco e per disperazione /
posti le tue foto a pesca insieme a tua figlia /
ma dai! Come sei messo? /
non hai mai fatto un cazzo di successo /
come questi rapper che stanno ancora ascoltando questo pezzo /
mentre commentano su facebook /
il mio show un’ora e venti, Alcatraz, tutto esaurito /
cosa inventi? Bla bla bla /
il tuo show mi ricorda una canzone della Sindrome /
Gratta e Gratta /
vai sul personale, tipo, scopa poco /
dovrei preoccuparmi? Il tuo rap è innocuo /
è tutta una finta, sorrido mentre in camera /
mi faccio questa pornostar lesbica incinta /
da oggi la tua misera carriera è finita /
prendo il Viagra e vengo a fotterti la vita /
io in copertina su Rolling Stone /
tu il mantenuto disoccupato a Kingston /
frate’ questi rapper dopano le vendite /
facendo quattrocentocinquanta mila instore /
vivo a Milano ma mi sento uno straniero /
perché sono cresciuto ascoltando Sangue Misto /
mai avuto debiti, pago le tasse e lavoro /
come fa un vero uomo /
ho solo creditori, gente come te /
che mi nomina da sempre per farsi la promo /
Vado bene? Vaffanculo!
Cena di Natale, Vacca è preso male /
mi siedo a tavola, famiglia ospitale /
la madre mi domanda perché sono sempre solo /
poi dice “grazie a te oggi lui ha un lavoro” /
rispondo “sa signora, io ce la metto tutta /
è un ambiente complicato /
molta gente che ti sfrutta e che ti assilla /
la madre mi interrompe e dice a Vacca /
“Ale guarda, in tv c’è il cantante che ti assomiglia” /
mi giro e su MTV appare Lil Wayne /
Vacca salta sul divano e parte a dire /
“Young Money! Voodoo Smokers Familia! /
Racket! Jamaica! Rap! Mamma! Ha…” /
cazzo dice questo qui? /
anzi, cazzo faccio qui? /
tu non sei nel mio cd, a dirti la verità /
per me sei morto, quando sento la tua voce è come se /
venisse dall’aldilà, ha! /
tipo seduta spiritica /
gente che non ha concluso un cazzo nella vita /
e poi ti critica /
Waccaleaks la rivista scandalistica /
la vita del perdente è pesantissima /
specie per un tossico /
da sette anni /
nascondo una ragazza morta nell’armadio e tu sei il prossimo /
Fabrizio si è fatto con le sue mani /
ti polverizzo e ti pippano i giamaicani /
“Pfffff… Yeah!”
Il rap è uguale al cinem a, ciak, sei pronto? /
pistola in mano, carico e sparo, bang! Sepolto /
preghiamo per questo ragazzo che c’ha lasciati /
“vaffanculo!” Amen /
definiscimi un dissing /
fune al collo, tirare /
questo qui non è un dissing /
questo è il tuo funerale /
e questa sotto è la messa /
sono tutti all’ascolto /
parenti e amici che pregano /
tu che domandi “chi è morto?” /
ma nessuno ti sente /
ti specchi e non ci sei riflesso /
corri verso il microfono /
ma ci passi attraverso /
la vita è un film, bella Slimer /
Ghostbusters /
la tua non interessa, chiudi /
Blockbuster /
Ritornello: Attiro così tante facce /
così tanti nemici /
lo so che stai parlando di me /
e chissà cosa dici /
hai fame, e chissà cosa dici /
infame, e chissà cosa dici /
parli di me? Tu non sai cosa dici /
Zzzzza! Tosatrici! /
Ammazza! Ammazza! Uccidi! Uccidi! /
Ammazza! Ammazza! Uccidi! Uccidi! /
Appena scesi dal palco /
cominciano a sparlare di me /
ingrati, io li guardo dall’alto /
a lui e a quell’altro /
ingrati /
a lui e a quell’altro /
via dieci grammi e uccido anche te /
ogni dieci anni a cicli di tre /
muoviti a tempo la rima è una lama /
zac! Sangue rosso bandana /
lo bevo tipo rito satanico /
mentre le radio passano Panico /
questo mondo è esoterico /
esplode il rap, dai, di chi è il merito? /
il mio disco, Italia /
il tuo disco imita /
vieni in tour in Italia, sì ma il fisco /
ti limita /
e alla gente che mi scrive /
“quello è un incapace” /
io rispondo /
“era, al passato, riposa in pace” /
Ritornello.
Il titolo del mio quarto disco è come te, Bugiardo /
un mare di merda, tu che affoghi /
io sto qui e ti guardo /
blublublublublublu… /
addio, annega, sparisci /
R.I.P. coglione /
il nome d’arte, arte nel nome /
prova di stile, il tuo è il cognome /
che cazzo pensavi si facesse l’appello? /
la scena rap è a gambe larghe /
io mi scappello /
poi entro, è un bordello /
hai firmato con la major grazie a chi? /
questo è il bello, dai fammi le doppie /
canta il ritornello /
attiro così tante facce, così tanti nemici…
va bene così Fabri? Sì, va bene, sei bravo a cantare…
sì però su Rolling Stone…
sì lo so, su Rolling Stone quando mi hanno chiesto se mi piace la tua musica,
ho detto che sono più tuo amico che tuo fan e tu ti sei offeso,
però non è che puoi andare in giro a parlare male di me in ogni intervista,
a farmi i dissing, hai il mio numero, chiamami,
basta promo col mio nome.
Ritornello.

#ops #Nientedipersonale  #Squallor #NienteDiPersonale #FabriFibra  #cookednews #Fibra #Vacca#Shablo

Making a Sci-fi Helmet with Fon Davis Mar. 22nd, Apr. 5th and 12th

#modelmaking #cosplay #cookednews

Learn to make movie-quality Sci-Fi armor with STAR WARS artist Fon Davis. Whether you’re a creature creator, cosplayer or casual hobbyist, this 3-week interactive online course will teach you everything you need to know to create mind-blowing, wearable art, including:

  • Building your own Vacuform Machine
  • Design & Pattern Making
  • Bucks, Vacuforming & Assembly Techniques
  • Greebling & Kit-Bashing
  • Painting, Weathering & Fine Detail
  • Electronics and Lighting

In his two decade career, Fon Davis has worked on over 30 feature films. As a alumnus of the Industrial Light and Magic Model Shop, Fon has worked on features such as STAR WARS, PEARL HARBOR, STARSHIP TROOPERS, GALAXAY QUEST III, MISSION IMPOSSIBLE III and THE MATRIX series.

In addition to his work in visual effects, Fon has also worked in Disney’s art departments as a concept designer/model maker, and on several stop motion projects including THE NIGHTMARE BEFORE CHRISTMAS and CORALINE.

More recently, Fon was the Miniatures Supervisor on Neill Blomkamp’s, ELYSIUM. Having started Fonco Creative Services in 2000 and later merging with New Deal Studios, Fon also writes and develops his own projects, frequently using his CG skills alongside practical model making. With his vast experience, Fon is well-placed to discuss the art and craft of model making for cinema, from concept design to hybrid practical and cgi effects, with a particular expertise in knowing where models and miniatures can play a role in today’s digital world.

COURSE GRADING AND CERTIFICATE REQUIREMENTS

  • To earn a Certificate of Completion, the student must complete all assignments within the duration of the course.
  • To earn a Certificate of Mastery, the student must complete all assignments within the duration of the course, as well as demonstrate a clear, working knowledge of all techniques presented and an ability to apply them.

DAY ONE (MAR. 22ND, 2014 9:00AM – 5:00PM PST) :
 PROJECT OVERVIEW & VACUUM FORMING

  • VacuForm Theory and existing machine review
  • Heater construction
  • Material frame construction
  • Vacuum table construction
  • Spacers and final assembly
  • Helmet design breakdown & creating shopping list
  • Carving Vacuum form plugs
  • Prepping and smoothing vacuum form plugs

continue to … https://www.stanwinstonschool.com/webcasts/making-a-sci-fi-helmet-with-fon-davis

#ThisDayInHistory #cookednews

New this year at VIEW Conference!

#CinemaMassimo #Turin-Italy #cookednews

New this year at VIEW Conference!

It’s your chance to narrate our VIEW story through a comic. You can choose any of the following years on which to base your comic 2010, 2011, 2012 or 2013. Use our website to get the materials you need to weave your comic about VIEW Conference. (Deadline August 31, 2014)

VIEW Conference is the premiere international event in Italy on Computer Graphics, Interactive Techniques, Digital Cinema, 2D/3D Animation, Gaming and VFX.

VIEW 2014, from 15th to 18th October in Torino, will continue to focus on exploring the increasingly fluid boundary between real and digital worlds. Through lectures, meetings, tributes, exhibits, screenings and demo presentations VIEW will reveal the new digital frontier sweeping from cinema to architecture, from automotive design to advertisement, from medicine to videogames.

VIEW Conference è un importante evento italiano  sulla computer grafica che si tiene ogni anno a Torino, tra ottobre e novembre.

Nata nel 2000 come Virtuality Conference, cambia nome alla sua ottava edizione, nel 2007, e diventa VIEW: Virtual Interactive Emerging World. I contenuti si ampliano: pur mantenendo tutto quanto concerne la realtà virtuale, VIEW si apre alla tecnologia digitale di ultima generazione e alle sue applicazioni (dall’animazione agli effetti speciali, dall’architettura virtuale ai videogiochi, dal design al marketing territoriale e ai beni culturali).

Di anno in anno, VIEW si pone come obiettivo un’offerta all’avanguardia e aggiornata della realtà virtuale e delle tecniche interattive, riservando un’attenzione particolare alle applicazioni industriali, all’ambito della formazione e a quello del cinema.

A partire dall’edizione 2005 (VIEW indice), nasce il VIEW Award, un premio internazionale per cortometraggi con animazione 3D e VFX. Nel 2012 nasce un nuovo concorso, il VIEW SOCIAL CONTEST, rivolto ai creativi, ai designer e agli appassionati di grafica digitale, per introdurre temi legati all’attualità e al sociale.

Secondo gli assessori Cirio, Coppola e Giordano, ‘View Conference si lega al nostro territorio proponendosi non solo come alto momento di studio e riflessione sui media digitali – attraverso lezioni, workshop, conferenze, incontri, mostre, proiezioni – ma anche come una concreta occasione per proporre e discutere progettualità innovative, puntando l’attenzione su settori strategici per il futuro e sulle opportunità di crescita, in particolare per le nuove generazioni’.

L’edizione 2014

VIEW Conference 2014 si svolgerà dal 15 al 18 ottobre 2014. Il bando di concorso per il VIEW Award 2014 è stato reso pubblico e tutti i dettagli sono disponibili all’i ndirizzo http://viewconference.it/awards-2014.

Le categorie sono le seguenti:

VIEW AWARD per cortometraggi animati;
VIEW SOCIAL CONTEST dedicato a film, cortometraggi, video musicali e pubblicità legati a temi sociali come la discriminazione, l’immigrazione o la violenza alle donne;
VIEW AWARD GAME dedicato ai videogiochi
ITALIANMIX per opere dedicate all’Italia, ai suoi simboli e alle sue eccellenze;
VIEW DOCUMENTARY AWARD dedicato ai documentari.

#VIEWconference #cookednews #Brainstorming #startups #AcademyAwards #VFX

#www #WaveOfAction Worldwide Wave Launch Gatherings – The People REVOLT

#WaveOfAction 4-4-14 ~ 7-4-14 #Cookednews

Now that you’ve seen The People REVOLT in Tunisia, Turkey, Spain, Egypt, Brazil and the Ukraine, tell me what will happen on the streets

On April 4th, we will launch the first phase of the Worldwide Wave of Action by gathering at Zuccotti Park and former occupation sites throughout the world to honor the legacy of Dr. Martin Luther King, Jr.  At 6:05pm CT, the time of his assassination, we will host vigil ceremonies and resurrect his spirit of nonviolent direct action.

People with opinions across the political spectrum are invited to unite and find common ground against corruption. We will overcome divide and conquer propaganda by forming communities of support and compassion. Together we will fight for freedom and begin engaging in a relentless campaign of nonviolent civil disobedience. People will pledge to take part in whatever tactics they are interested in throughout a sustained three-month cycle.  Here’s a basic list of tactics…

> Mass gatherings, demonstrations;
> Marches, parades;
> Flash mobs, swarms;
> Shutdown harmful corporate and governmental operations;
> Worker Strikes;
> Hunger strikes;
> Sit-ins;
> Strategic defaults, debt strikes;
> Foreclosure prevention;
> Boycotting corrupt corporations;
> Move your money out of the big banks and the stock market;
> Use alternative currencies and economic systems;
> Cancel your cable television and support independent media;
> Use independent online tools that don’t sell your info / protect privacy;
> Online civil disobedience, Anonymous operations;
> Leak information on corruption;
> Use alternative energy;
> Build urban and hydroponic farms, or get your food from them;
> Support local businesses;
> Join local community organizations;
> Take part in food banks and help develop community support systems;
> Start or join intentional and autonomous communities;
> Experiment with new governing systems, Liquid Democracy;
> Host teach-ins;
> Organize socially conscious events;
> Make conscious media;
> Guerrilla postering, messages on money;
> Help inspiring groups and organizations spread their message;
> Random acts of kindness and compassion;
> Mass meditations, prayer sessions and spiritual actions.

You know what you can do to play a part. Do whatever you feel inspired to do. Amplify what you are already doing. Think about what you are willing to do to be the change we urgently need to see in the world, and then do it.

We look forward to seeing you in action!

Organize a Worldwide Wave launch gathering in your hometown and post the details here

#WaveOfAction #WakeUp #cookednews #www #WaveOfAction #privacy

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International day against Police Brutality

15mars #cookednews

Day Against Police Brutality March 15, 2014 in the World

From Fullerton to Durham, the police continue their oppression and walk away with impunity. We must shatter the illusion of complacency. They protect a system of that destroys our earth and the animals that walk it, they are the wall between the people and justice. On the 15th of March, join us in the streets, show Portland we aren’t ready to aquiesce. Meet at Colonel Summers park(20th and Belmont), We meet a 8pm and march at 9. Bring banners, fireworks, friends, and whatever you think is appropriate. We will respect each other, in whatever tactics folks choose to engage in. We encourage people to help with postering, telling friends, banner drops, making leaflets, just articulating your hatred for the cops. Let’s bring some more people out this time!!FTP!

International Day Against Police Brutality is observed on March 15, 2014. It first began in 1997 as an initiative of the Montreal based Collective Opposed to Police Brutality and the Black Flag group in Switzerland. Acceptance of March 15 as a focal day of solidarity against police brutality varies from one place to another.

In the United States, the October 22 Coalition to Stop Police Brutality, Repression, and the Criminalization of a Generation, a group mounted by the RCP, has succeeded in building support for October 22 (also known as O22) as National Anti Police Brutality Day since 1995

Event date: Saturday, March 15, 2014 – 21 to Sunday, March 16, 2014 – 12 (anarchistnews dot org)

Lutto nel mondo della musica. È morto in Messico Paco de Lucia

Paco de Lucía #Cookednews

Lutto nel mondo della musica. È morto in Messico a 66 anni il compositore e chitarrista spagnolo Paco de Lucia. L’artista andaluso è deceduto per un infarto mentre si trovava con i propri familiari. Pur se conosciuto come uno dei più grandi chitarristi di flamenco, de Lucia aveva prodotto diversi lavori di musica classica e si era dedicato ad altri stili musicali come la fusione tra jazz e flamenco.

Numerosi i riconoscimenti e i premi conferitigli nel corso della sua lunga carriera: Premio nazionale di Chitarra di Arte Flamenco, Medaglia d’oro al merito delle Belle Arti, Premio Príncipe de Asturias nell’Arte (2004), quindi nel 2007 l’Università di Cadice e nel 2010 il Berklee College of Music di Boston gli avevano assegnato il titolo di dottore honoris causa per il suo contributo musicale e culturale.

Nato nel 1947 ad Algeciras, in provincia di Càdiz, in una famiglia di chitarristi di flamenco, De Lucia si esibisce per la prima volta all’età di 11 anni. Nel 1962 si trasferisce a Madrid con la famiglia e poi parte per gli Stati Uniti per il suo primo tour con il fratello. La svolta arriva alla fine degli anni Sessanta quando conosce Camarón de la Isla, con il quale forma un mitico duetto artistico, interpreti del flamenco più ortodosso. Insieme registrarono dieci dischi tra il 1968 e il 1977. Più tardi, insieme e separatamente, furono i precursori di un flamenco più popolare entrando nel terreno del pop, del rock e del jazz.

Nella metà degli anni Settanta de Lucia conoscerà personaggi di spicco quali Al Di Meola, John McLaughlin, Larry Coryell e Chick Corea. È del 1980 l’album ‘Friday night in San Francisco’ inciso con John McLaughlin e Al Di Meola che ha venduto più di cinque milioni di copie.

#CookedNews#flamenco, #guitar, #music#españa#PacodeLucía#cookednews

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